NFTs and Blockchain for Visual Artists
The art market has evolved. This course demystifies the world of Non-Fungible Tokens (NFTs) and Web3 for visual creators. Students will learn the technical process of “Minting” their photography on the blockchain, understanding crypto-wallets (like MetaMask), and navigating marketplaces (OpenSea/Foundation). The curriculum also covers “Smart Contracts” to ensure artist royalties on future resales and the environmental impact of Proof-of-Work vs. Proof-of-Stake.
§ 01 By the end you can
- Understand the Blockchain fundamentals: Decentralization, Wallets, and Gas Fees
- Create and secure a Crypto Wallet (MetaMask/Coinbase Wallet)
- Execute the "Minting" process: Uploading metadata and setting Royalties
- Market NFT collections via Twitter/X and Discord communities
- Evaluate the environmental and legal ethics of the crypto-art space
§ 02 Sixteen sessions
The whole semester.
- 01Introduction to Web3: The Internet of Ownership
- 02What is an NFT? Fungibility & Scarcity
- 03Setting up a Digital Wallet (Security First)
- 04Buying Crypto: Exchanges & Gas Fees
- 05Marketplaces: OpenSea, Foundation, SuperRare
- 06Preparing Art for Minting: Formats & Specs
- 07The Minting Process: Step-by-Step
- 08 · MidtermMidterm Examination
- 09Minting Strategy: Editions (1/1s) vs. Collections
- 10Smart Contracts: Programming Royalties
- 11Building Community: Discord & Twitter Spaces
- 12Utility NFTs: Unlockable Content & Access
- 13The Environment: ETH vs. Tezos/Solana
- 14Legal: Copyright vs. Ownership Token
- 15Avoiding Scams & Rug Pulls
- 16Final Project: The NFT Collection Launch
Midterm around session 8. Final project briefed at session 8 or 9 and developed in stages until the juries.
§ 03 Final project
Final Project: The NFT Collection Launch
Recommended reading
- The NFT Handbook by QuHarrison Terry and Matt Fortnow
- NFTs for Dummies by Tiana Laurence
- Token Economy: How the Web3 reinvents the Internet by Shermin Voshmgir
- Crypto Art - Begins by The NFT Magazine
- Mastering Ethereum (Technical reference) by Andreas M. Antonopoulos
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