Producing for Film & Television
The Producer is the CEO of a film production. This course demystifies the business and logistical side of the industry, bridging the gap between creative vision and financial reality. Students will learn the entire lifecycle of a project—from acquiring rights and developing a script to budgeting, scheduling, managing a crew, and securing final distribution.
§ 01 By the end you can
- Differentiate between Producer roles: Executive, Line, and Creative Producer
- Create industry-standard budgets and schedules (using Movie Magic or Excel)
- Master the legalities: Option Agreements, Talent Releases, and Insurance
- Manage physical production: Call sheets, daily reports, and safety
- Develop a Pitch Deck and distribution strategy for feature or series projects
§ 02 Sixteen sessions
The whole semester.
- 01The Producer's Role: Creative vs. Logistical
- 02Development: Finding Material & IP Rights
- 03The Screenplay: Script Breakdown
- 04Scheduling: Stripboards & Days out of Days
- 05Budgeting I: Above the Line (Cast/Director)
- 06Budgeting II: Below the Line (Crew/Gear)
- 07Financing: Equity, Grants, & Tax Credits
- 08 · MidtermMidterm Examination
- 09The Production Office: Coordination
- 10On-Set Management: Safety & Unions
- 11Managing the Budget: Cash Flow & Variance
- 12Post-Production Supervision
- 13Music Rights & Archival Clearances
- 14Marketing & PR Strategy
- 15Distribution: Theatrical vs. Streaming
- 16Final Project: The Production Bible
Midterm around session 8. Final project briefed at session 8 or 9 and developed in stages until the juries.
§ 03 Final project
Final Project: The Production Bible
Recommended reading
- The Producer's Business Handbook by John J. Lee Jr.
- Shooting to Kill by Christine Vachon
- Film Production Management by Bastian Cleve
- The Complete Film Production Handbook by Eve Light Honthaner
- Producing for TV and New Media by Cathrine Kellison
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