Production Management & Budgeting
This professional course trains students for the role of the Line Producer and Unit Production Manager (UPM). It focuses on the logistical engine of filmmaking: time and money. Students will learn to break down a script into data, create shooting schedules using industry software (Movie Magic), and build detailed line-item budgets that account for crew, unions, gear, and contingency.
§ 01 By the end you can
- Perform a detailed "Script Breakdown" to identify all production elements
- Create efficient Shooting Schedules (Stripboards) optimizing for time and cost
- Build comprehensive Budgets (Above-the-Line vs. Below-the-Line)
- Understand Union rules (SAG/IATSE) and labor laws affecting production
- Manage daily logistics: Call Sheets, Production Reports, and Petty Cash
§ 02 Sixteen sessions
The whole semester.
- 01The Role of the UPM and Line Producer
- 02The Script Breakdown: Tagging Elements
- 03Scheduling I: The Stripboard
- 04Scheduling II: Day-out-of-Days (DOOD)
- 05Locations Logistics: Basecamp & Unit Moves
- 06Managing Cast: Minors, Stunts, & Riders
- 07Union Rules & Overtime (OT) Costs
- 08 · MidtermMidterm Examination
- 09Budgeting I: Above-the-Line (Cast/Rights)
- 10Budgeting II: Below-the-Line (Production)
- 11Budgeting III: Post-Production & Contingency
- 12Hiring Crew: Deal Memos & Starts
- 13Insurance, Permits, & Liability
- 14The Call Sheet & Daily Production Report
- 15Payroll & Accounting Basics
- 16Final Project: The Production Board & Budget
Midterm around session 8. Final project briefed at session 8 or 9 and developed in stages until the juries.
§ 03 Final project
Final Project: The Production Board & Budget
Recommended reading
- Film Production Management by Bastian Cleve
- The Complete Film Production Handbook by Eve Light Honthaner
- Planning the Low-Budget Film by Robert Latham Brown
- Producer to Producer by Maureen A. Ryan
- Movie Magic Scheduling/Budgeting Manuals (Technical Reference)
More in Film & TV
| Acting for Film & Film Analysis | This hybrid course combines practical performance training with critical film theory. Students will learn the specific techniques of screen acting—minimalism, eye lines, and continuity—while simultaneously analyzing legendary performances from cinema history. |
| Acting for the Camera | The camera lens acts as a microscope for human behavior. This practical course helps actors transition from the projection required for stage to the intimacy required for screen. |
| Advanced Camera Techniques | This technical course is designed for aspiring cinematographers who wish to master the visual language of cinema. |
| Advanced Film Editing (MS elective) | This course moves beyond the basics of cutting to explore editing as an art of storytelling and emotional manipulation. |
| Advanced Film Editing | This course covers advanced techniques and concepts in film editing, focusing on narrative structure, pacing, continuity, and the creative use of editing software. |
| AI-Driven Cinematography | This futuristic course explores the convergence of Artificial Intelligence and the Director of Photography (DoP). |