Experimental Design & Creative Thinking
This studio course challenges students to break the rules of traditional design and explore the limits of their creativity. Focusing on lateral thinking and avant-garde techniques, students will engage in rapid prototyping, destructive creation, and cross-disciplinary experiments. The goal is to overcome creative blocks and discover innovative solutions that exist outside standard industry practices.Shutterstock
§ 01 By the end you can
- Master lateral thinking techniques (SCAMPER, Six Thinking Hats) to generate ideas
- Explore non-traditional materials and "destructive" creation methods
- Challenge visual conventions through abstraction and deconstruction
- Develop a personal methodology for overcoming creative block
- Execute a conceptual design project that prioritizes process over perfection
§ 02 Sixteen sessions
The whole semester.
- 01The Psychology of Creativity & Flow State
- 02Lateral Thinking Methods (De Bono)
- 03Rapid Prototyping: Fail Fast, Fail Often
- 04The "Happy Accident": Embracing Chance
- 05Material Exploration: Analog vs. Digital
- 06Dadaism & Surrealism in Modern Design
- 07Anti-Design & Brutalism
- 08 · MidtermMidterm Examination
- 09Deconstruction: Breaking the Grid
- 10Glitch Art & Digital Decay
- 11Sensory Design: Sound & Haptics
- 12Bio-Design: Nature-Inspired Experiments
- 13Speculative Design: Future Scenarios
- 14Collaborative Chaos: Group Dynamics
- 15Curating the Process: Documentation
- 16Final Project: The Experimental Installation
Midterm around session 8. Final project briefed at session 8 or 9 and developed in stages until the juries.
§ 03 Final project
Final Project: The Experimental Installation
Recommended reading
- Lateral Thinking: Creativity Step by Step by Edward de Bono
- Steal Like an Artist by Austin Kleon
- Wreck This Journal by Keri Smith
- Design as Art by Bruno Munari
- Creative Confidence by Tom Kelley and David Kelley
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