Expression in Clay
While “Advance Techniques” focuses on structure, this course focuses on meaning. It encourages students to use clay as a medium for conceptual art and personal narrative. Students will explore sculptural ceramics, moving away from the vessel to create installations, figurative works, and abstract forms. The curriculum emphasizes surface treatment, alternative firing, and the critical context of contemporary ceramic art.
§ 01 By the end you can
- Develop a personal artistic voice using clay as the primary medium
- Master sculptural hand-building: Solid building vs. Hollow construction
- Explore surface as narrative: Sgraffito, Mishima, and Decals
- Critique contemporary ceramic trends (Installation and Performance)
- Execute alternative finishing techniques: Cold finishes, Smoked firing, or Lusters
§ 02 Sixteen sessions
The whole semester.
- 01Conceptual Ceramics: Beyond the Bowl
- 02Maquettes & Sketching in 3D
- 03Coil Building for Large Scale Sculpture
- 04Slab Construction: Sharp Angles & Architecture
- 05Texture & Mark Making tools
- 06The Totem: Verticality and Balance
- 07Mixed Media: Clay + Metal/Wood
- 08 · MidtermMidterm Examination
- 09The Figure in Clay: Gesture & Emotion
- 10Fragmentation & Deconstruction
- 11Surface I: Slips, Engobes, & Terra Sigillata
- 12Surface II: Screen Printing on Clay
- 13Installation Art: Clay in Space
- 14Alternative Firing: Pit & Barrel Firing
- 15Cold Finishes: Paint & Wax
- 16Final Project: The Conceptual Sculptural Series
Midterm around session 8. Final project briefed at session 8 or 9 and developed in stages until the juries.
§ 03 Final project
Final Project: The Conceptual Sculptural Series
Recommended reading
- The Ceramics Bible: The Complete Guide to Materials and Techniques by Louisa Taylor
- Contemporary Ceramics by Emmanuel Cooper
- Ceramic Sculpture: Making Faces by Alex Irvine
- Finding One's Way with Clay by Paulus Berensohn
- Vitamin C: Clay and Ceramic in Contemporary Art (Phaidon)
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