Painting Wildlife & Animals
Capturing the spirit of a living creature requires more than anatomical correctness; it requires empathy and observation. This course teaches the techniques needed to paint fur, feathers, scales, and the glint in an animal’s eye. Students will study comparative anatomy to understand movement and structure, while mastering brushwork that mimics the textures of the natural world.
§ 01 By the end you can
- Master the rendering of textures: Fur (Short/Long), Feathers, and Scales
- Understand Comparative Anatomy: Skeletal and muscular structures of mammals/birds
- Capture the "Spark of Life": Painting convincing eyes and wet noses
- Execute dynamic compositions that imply movement or behavior
- Utilize glazing techniques to create depth and luminosity in animal coats
§ 02 Sixteen sessions
The whole semester.
- 01Comparative Anatomy: The Skeleton beneath
- 02Gesture Drawing: Capturing Movement
- 03The Eye: The Window to the Soul
- 04Fur I: Short & Sleek (Horse/Dog)
- 05Fur II: Long & Texture (Bear/Cat)
- 06Color Mixing for Natural Coats
- 07The Nose & Mouth: Wet Textures
- 08 · MidtermMidterm Examination
- 09Avian Art: Painting Feathers & Wings
- 10Reptiles: Scales & Shine
- 11Backgrounds: Habitat vs. Abstract
- 12Water Animals: Wet Skin & Reflection
- 13Light & Shadow on Form
- 14Wildlife in Action: The Hunt/Flight
- 15Ethics of Reference Photography
- 16Final Project: The Large Scale Wildlife Portrait
Midterm around session 8. Final project briefed at session 8 or 9 and developed in stages until the juries.
§ 03 Final project
Final Project: The Large Scale Wildlife Portrait
Recommended reading
- The Art of Animal Drawing: Construction, Action Analysis, Caricature by Ken Hultgren
- Painting Wildlife Textures Step by Step by Rod Lawrence
- Animal Anatomy for Artists by Eliot Goldfinger
- The Weatherly Guide to Drawing Animals by Joe Weatherly
- Wildlife Painting: Techniques of Modern Masters
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