Portrait and Figure Photography
This course explores the human element in photography. It combines technical lighting skills with the psychology of working with people. Students will learn to direct subjects to achieve natural expressions, master the art of posing the human form to flatter or abstract the body, and execute lighting patterns that reveal character, from the corporate headshot to the fine art figure study.
§ 01 By the end you can
- Master classic lighting patterns: Rembrandt, Loop, Butterfly, and Split
- Direct subjects effectively: Posing men, women, and groups
- Understand "Corrective Posing": Angles to flatter different body types
- Explore Figure photography: Silhouette, form, and body language
- Execute the "Environmental Portrait": Telling a story through location
§ 02 Sixteen sessions
The whole semester.
- 01History of Portraiture: Painting to Photography
- 02The Psychology of the Sitter: Building Rapport
- 03Lighting I: The Broad vs. Short Light
- 04Lighting II: Five Core Patterns
- 05Lens Choice: Compression & Distortion
- 06Group Photography: Composition & Focus
- 07Posing Guide I: The Male Form
- 08 · MidtermMidterm Examination
- 09Posing Guide II: The Female Form
- 10Corrective Posing & Camera Angles
- 11The Environmental Portrait: Location
- 12Fine Art Figure: Form & Silhouette
- 13The Corporate Headshot
- 14Lighting for Skin Tones
- 15Post-Processing: High-End Skin Retouching
- 16Final Project: The Portrait Series (Studio & Location)
Midterm around session 8. Final project briefed at session 8 or 9 and developed in stages until the juries.
§ 03 Final project
Final Project: The Portrait Series (Studio & Location)
Recommended reading
- Picture Perfect Posing by Roberto Valenzuela
- Mastering Portrait Photography by Sarah Plater and Paul Wilkinson
- The Headshot by Peter Hurley
- Light, Science and Magic (Portrait chapters)
- Gregory Heisler: 50 Portraits (Visual & Technical Breakdown)
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