Pro Visual Effects
This technical course introduces students to the pipeline of Visual Effects (VFX) for film and television. Focusing on node-based compositing (e.g., Nuke or Fusion), students will learn to seamlessly integrate CGI elements with live-action footage. The curriculum covers keying, rotoscoping, tracking, and match-moving, preparing students for entry-level roles in VFX studios.
§ 01 By the end you can
- Master the principles of Node-Based Compositing (vs. Layer-Based)
- Execute professional "Keying" (Green/Blue screen removal) and spill suppression
- Perform 2D and 3D Planar Tracking and Match-moving
- Apply Rotoscoping techniques for complex isolation tasks
- Integrate 3D render passes (Diffuse, Specular, Z-Depth) into a final composite
§ 02 Sixteen sessions
The whole semester.
- 01Introduction to the VFX Pipeline & Formats
- 02Node-Based Workflow Fundamentals
- 03Color Management for VFX (OCIO/ACES)
- 04The Art of Rotoscoping & Masking
- 05Keying Theory: Chroma & Luma Keys
- 06Advanced Keying: Edge Blending & Despill
- 072D Tracking & Stabilization
- 08 · MidtermMidterm Examination
- 093D Camera Tracking & Match-moving
- 103D Compositing: Integrating CGI Objects
- 11Multi-Pass Compositing (AOVs)
- 12Paint & Cleanup: Removing Wires/Rigs
- 13Set Extension & Matte Painting Basics
- 14Deep Compositing Concepts
- 15Pipeline Efficiency: Scripting & Macros
- 16Final Project: The VFX Breakdown Reel
Midterm around session 8. Final project briefed at session 8 or 9 and developed in stages until the juries.
§ 03 Final project
Final Project: The VFX Breakdown Reel
Recommended reading
- The Art and Science of Digital Compositing by Ron Brinkmann
- Digital Compositing for Film and Video by Steve Wright
- Nuke 101: Professional Compositing and Visual Effects by Ron Ganbar
- The VES Handbook of Visual Effects by Jeffrey A. Okun and Susan Zwerman
- Industrial Light & Magic: The Art of Innovation by Pamela Glintenkamp
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